On the top of the cliff stood a
clutch of skeletal trees. Their forms had been stripped and blasted by
exposure but I found that by nestling down in the lee of a trunk I could
escape from the prising ingresses of the wind. The sea was visible
beyond, vast and dark. In places pools of light played across its
surface. Where it was illuminated it seethed in agitation.
There was something singular about it, and melancholic; it seemed that
there was intent behind its repeated incursions and incisions. The way
it would break things apart seemed coldly rational, as if by prising
into the structure of the surface of the world it thought it would find
some sort of meaning there.
It was probing perhaps for the same thing that I had been looking for,
wandering hermitic and despondent, for some sort of significance to its
presence, some sort of meaning. But there was nothing there, all it had
found were layers of sedimented sand that disintegrated at its touch,
and the mineralized and empty remains of Pliocene mammals.
The snow had eased and I pulled from my pocket a clutch of odd stones
that I had picked up earlier in the day from a small pile of debris that
had evidently fallen from a small slip at the top of the cliff. I
turned them over in my hand. Barely larger than my fingernails there was
something remarkable about their forms, there was a suggestion of
purpose in them, as if they’d been shaped with finesse; they were
immensely delicate, and almost geometric.
Looking up from the study of them my mind drifted back to a damp grey
November afternoon I’d spent wandering through the rooms of the British
Museum. In one of the Mesolithic cabinets I’d seen a collection of
similar tiny microliths, which the display said had been used
compositely in the points of hunting weapons between 10,000 and 6,000
years ago.
In the next cabinet along I’d been stopped in my tracks by the presence
of a ceremonial headdress carved from the skull of a red-deer; its
antlers still protruding, the bones forming the top of the nose had been
broken off and the edges of the remaining piece of skull had been
trimmed, there appeared to be two eye holes bored into the back of the
cranium.
Looking into these empty sockets I tried to imagine the existence and
culture of the people who had made it, how their reality depended on
their relation to the land; their entire lives would have been lived in
relation to it. This link would have left them with a deep bond their
immediate surroundings, imbuing them with memories, and thus with
personal and, as the headdress suggested, spiritual significance.
Returning to the present I stared out over the North Sea, I’d begun to
feel something similar here; though superficial by comparison, a
connection had formed year on year with my repeated visits, as if place
and self had begun to be tied in some way. A sense of familiarity had
gathered as I had begun to link the memories of instances of felt
experience to the land itself, and its meaning on a personal level had
blossomed with that relation. But this familiarity was disintegrating,
as the place itself was reconfigured by and lost to the sea.
I knew, however, that this loss was nothing new. I thought about
Doggerland, the landmass that had once connected the British Isles to
mainland Europe. It had been a vast, rich plain, covered with marshes
and damp forests of pine, birch, alder and oak. The material in the
museum had been uncovered from what were now coastal sites on the
periphery of this landscape, as had the lithics I now held in my hand,
but I had also read accounts of bone harpoon points and immaculately
made thin flint hand axes dredged up by trawlers from the seabed,
suggesting that it had once been occupied.
But the sea covered it now. The land would have been flooded slowly at
first, with an influx of melt water from receding glaciers after the end
of the Younger Dryas; the coastline would have crept inwards
imperceptibly, year on year. The plain would have reduced in size,
shifting into a series of isolated islands, which would have in turn
been inundated, perhaps catastrophically. At low tide, parts of this
flooded landscape would have been visible to the people that remained on
the edges, silted over and unutterably changed. Dead tree trunks would
have emerged from the water, standing as memorials to the land they had
once known.
Perhaps all that the recovery of the tools I now held in my hand
suggested was the movement of these people towards this marginal higher
ground, away from what had been theirs and that had been lost; the
history and trace of their presence here had almost entirely been
submerged.